In a recent interview, we delved into the captivating appeal of *Rivals*, the new adaptation of Jilly Cooper’s classic novel that promises to delight fans of cheeky British humor. Right from the opening scene, the show sets the perfect tone: a couple finds intimacy in the restroom of a Concorde, all while the iconic beats of Robert Palmer’s “Addicted to Love” play in the background. Meanwhile, passengers outside savor prawn cocktails and chain-smoke, building excitement for the inevitable champagne cork pop and raucous cheers—a thrilling roller coaster ride from the very beginning.
When news broke that Disney+ would adapt Cooper’s work, many feared the spirited essence of her writing might be compromised. Those concerns were quickly alleviated, as the show offers a concentrated dose of Cooper’s signature style—filled with unabashed nudity and extravagant wigs, capturing a hilarious blend of bad taste akin to the *Carry On* films and *Eurotrash*.
The ensemble cast is nothing short of impressive; it feels like nearly every familiar face from British television has joined the project. With stars like David Tennant, Aidan Turner, and Katherine Parkinson fully embracing the outrageousness of *Rivals*, one can only picture the audition process, which likely involved actors demonstrating their comedic talents in over-the-top moments of passion, many of which appear in the first episode.
Catering to an audience that likely discovered Cooper’s novels in their younger days, *Rivals* seeks to resonate with those who remember the thrill of stumbling upon her works and perhaps losing a bit of their innocence in the process. However, the challenge lies in attracting viewers who might not be acquainted with Cooper’s world. It’s important to note that the plot—set against the backdrop of 1980s regional television—doesn’t overtly focus on sex. Instead, it follows a presenter grappling with journalistic integrity while his employers push him toward becoming a sensational talk show host.
Despite the plot’s subtlety, what truly captivates viewers in *Rivals* is its lavish setting and vibrant tone. The Cotswold mansions, flamboyant wardrobe choices, and humorously excessive sweating create an engaging world filled with posh characters in various states of chaos.
In terms of tone, *Rivals* revels in an operatic kitsch that feels both distinctive and refreshing. Although there’s no shortage of risqué moments—including a standout naked tennis match—the nudity is approached with a campy flair rather than seduction, perfectly encapsulating the light-hearted essence of British humor in its treatment of desire.
What keeps viewers on the edge of their seats are the thrilling, soap-opera-style dramas that elevate each scene to a climactic finale. The tension mounts, the soundtrack swells, and just when you think it can’t intensify any further, another climax arrives, culminating in an exhilarating sex montage that serves as the grand finale of the first episode—truly a mission accomplished.
In a time when television tends to lean toward the serious and somber, *Rivals* emerges as a vibrant celebration of fun. It’s a refreshing addition to the TV landscape, and as fans eagerly anticipate its premiere on Disney+ on October 18th, the excitement is palpable.
